Retrospective: Alice Guy

Alice Guy: a pio­neer of cin­e­ma con­quer­ing America 

For the first time in its his­to­ry, the Deauville Amer­i­can Film Fes­ti­val is ded­i­cat­ing a ret­ro­spec­tive to Alice Guy’s Amer­i­can films, hon­or­ing a vision­ary direc­tor who has remained in the shad­ows for too long. 

Alice Guy’s sto­ry is an extra­or­di­nary one, full of firsts, the sto­ry of an adven­tur­er and a pioneer. 

The first female fic­tion direc­tor in the his­to­ry of cin­e­ma, the first female film­mak­er, the first woman to estab­lish stu­dios in the Unit­ed States… An out­stand­ing tech­ni­cian, screen­writer, pro­duc­er, direc­tor, and act­ing coach, she is a found­ing fig­ure of world cin­e­ma, both from an artis­tic and an eco­nom­ic and indus­tri­al perspective. 

In 2025, the Deauville Fes­ti­val will be cel­e­brat­ing with an excep­tion­al selec­tion of rare Amer­i­can films, some of which have nev­er been seen in France and have been recent­ly restored with the help of the Library of Congress. 

Born in France in 1873, Alice Guy began her career at Gau­mont at the very end of the 19th cen­tu­ry, where she direct­ed hun­dreds of films, some of which were already sound and col­orized, even though the lan­guage of cin­e­ma was still in its ear­ly stages. In 1907, she moved to the Unit­ed States and in 1910 found­ed her own film stu­dio, the Solax Film Com­pa­ny, near New York. She dom­i­nat­ed Amer­i­can film pro­duc­tion and box office, work­ing with the biggest stars of the time, before return­ing to France in 1922,bankrupted by the new pow­er of Hol­ly­wood. She is one of the ten women hon­ored at the open­ing cer­e­mo­ny of the Paris Olympic Games on July 26, 2024. Her transat­lantic jour­ney made her a true bridge between two film cul­tures. Both a French pio­neer and a major fig­ure in Amer­i­can silent cin­e­ma, Alice Guy is now being redis­cov­ered as a link between Europe and Hol­ly­wood, between the inven­tion of cin­e­ma and the rise of an industry. 

With this ret­ro­spec­tive, the Deauville Fes­ti­val is part of a move­ment to rewrite the his­to­ry of cin­e­ma by shin­ing a light on a woman who has been for­got­ten by the offi­cial narrative. 

The pro­gram for this ret­ro­spec­tive con­sists of six short films, total­ing 1 hour and 11 min­utes of screen time, which will be pre­sent­ed by Véronique Le Bris, founder of the Alice Guy Award and author of the recent biog­ra­phy “Alice Guy, the most dar­ing of cin­e­ma pioneers”. 

RETROSPECTIVE PROGRAM: 

  • Roads Leads Home (1911) (11’) – unreleased 
  • Mixed Pets (1911) (11’) – unreleased 
  • Greater Love Hath No Man (1911) (10’) 
  • The Girl In The Arm-Chair (1912) (10’) 
  • The Sew­er (1912) (15’) – unreleased 
  • Offi­cer Hen­der­son (1913) (14’) – unreleased 

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