Once Upon a Time (in) America

250 years in 15 films

“All great Amer­i­can films talk about Amer­i­ca,” Jean-Luc Godard used to say.

What bet­ter set­ting than cin­e­ma to tell the sto­ry of a coun­try’s 250 years, its great myths and the major chap­ters of a his­to­ry inti­mate­ly linked to that of France since the ear­ly days of its revolution?

The Deauville Fes­ti­val could not over­look this found­ing date to tell the sto­ry of Amer­i­ca and the Amer­i­can dream, the Amer­i­ca of con­quest and the defense of free­doms, civ­il rights, and great wide spaces; the Amer­i­ca of opti­mism, youth, and free­dom, with­out obscur­ing the dark sides of a young nation that Alex­is de Toc­queville, the most sub­tle and vision­ary ana­lyst of democ­ra­cy in Amer­i­ca, had detect­ed so early.

The West­ern, a found­ing genre of Amer­i­can cin­e­ma, is in itself a mov­ing nar­ra­tive of Amer­i­can leg­end and myths: the Gold Rush, the con­quest of the West, the Civ­il War, the exter­mi­na­tion of indige­nous peo­ples, the build­ing of the rule of law, the rela­tion­ship with nature, law and violence…

This pro­gram does not aim for exhaus­tive­ness. It sim­ply wish­es to recall the past, illu­mi­nate the present and ques­tion the hopes of an Amer­i­ca that con­tin­ues to bring its share of light and hope to the world.

“They’ve all come to look for Amer­i­ca,” sang Simon & Gar­funkel. Today’s inde­pen­dent cin­e­ma seems to con­tin­ue this tra­di­tion of Amer­i­can folk songs by telling sto­ries of injus­tices, strug­gles and the ordi­nary lives of all the John Does of an Amer­i­ca that aspires to be a melt­ing pot of diver­si­ty and a land of wel­come for gen­er­a­tions to come.

Beyond this ret­ro­spec­tive, the films of this 2026 edi­tion will con­firm that the Amer­i­ca of free­dom has not said its last word and con­tin­ue to echo the poem by Emma Lazarus, engraved at the foot of the Stat­ue of Lib­er­ty: “Give me your tired, your poor, Your hud­dled mass­es yearn­ing to breathe free, The wretched refuse of your teem­ing shore. Send these, the home­less, tem­pest-tost to me, I lift my lamp beside the gold­en door!”

Aude Hes­bert

Visual movie Once upon a time in America

Still from Once Upon a Time in Amer­i­ca by Ser­gio Leone (1984)

1925 THE GOLD RUSH (LA RUÉE VERS L’OR) Char­lie Chaplin

1939 MR SMITH GOES TO WASHINGTON (MR. SMITH AU SÉNAT) Frank Capra

1947 THE GRAPES OF WRATH (LES RAISINS DE LA COLÈRE) John Ford

1964 DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB (DOCTEUR FOLAMOUR) Stan­ley Kubrick

1980 HEAVEN’S GATE (LA PORTE DU PARADIS) Michael Cimino

1984 ONCE UPON A TIME IN AMERICA (IL ÉTAIT UNE FOIS EN AMÉRIQUE) Ser­gio Leone

1987 FULL METAL JACKET Stan­ley Kubrick

2009 MILK (HARVEY MILK) Gus Van Sant

2012 ZERO DARK THIRTY Kathryn Bigelow

2013 DJANGO UNCHAINED Quentin Tarantino

2014 SELMA Ava DuVernay

2015 THE BIG SHORT (THE BIG SHORT : LE CASSE DU SIÈCLE) Adam McKay

2022 SHE SAID Maria Schrader

2023 KILLERS OF THE FLOWER MOON Mar­tin Scorsese

2024 HERE (HERE — LES PLUS BELLES ANNÉES DE NOTRE VIE) Robert Zemeckis

These films will be notably pre­sent­ed by:

Pete Doher­ty (singer, com­pos­er), Manuel Alduy (head of cin­e­ma at France 2), Olivi­er Père (Arte France), Damien Bon­nard (actor), Ava Cahen (direc­tor of Crit­ics’ Week), Vin­cent Pérez (actor), Anne Berest (writer, screen­writer), Thier­ry Kli­fa (direc­tor), Lou Lam­pros (actress), Julien Colon­na (direc­tor), Mar­tin Bour­boulon (direc­tor)…

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