“Ghost Stories” by Siri Hustvedt, Lucien-Barrière American Novel Prize 2026

Dur­ing the Fes­ti­val, a jury com­pris­ing jour­nal­ists and writ­ers François Armanet, Marie Chaudey, Bruno Corty, Tiffany Gas­souk and Éric Neuhoff will present the Lucien-Bar­rière Prize for Amer­i­can Fic­tion, organ­ised by Béa­trice Nakache Halimi.

The 2026 Lucien-Bar­rière Prize for Amer­i­can Fic­tion is award­ed to Siri Hustvedt for “Ghost Sto­ries”, pub­lished by Édi­tions Gal­li­mard and trans­lat­ed from the Eng­lish (US) by Frédéric Joly.

In “Ghost Sto­ries”, a work of rare inti­ma­cy, Siri Hustvedt opens up for the first time about the great love of her life, Paul Auster. In it, she cel­e­brates their long and mag­nif­i­cent life togeth­er, and draws us into the most secret cor­ners of their leg­endary New York writ­ers’ cou­ple. “Ghost Sto­ries” is also a chron­i­cle of the loss of a loved one, draw­ing on mem­o­ries, read­ings and writ­ten records — all attempts to come to terms with absence and to wel­come signs from the after­life. A breath­tak­ing book about love and grief that offers us a com­pass to help us stay con­nect­ed to all those we have lost too soon.

“They were an icon­ic lit­er­ary cou­ple, wor­thy of every superla­tive: Siri Hustvedt and her part­ner Paul Auster shared intel­li­gence, tal­ent, beau­ty and humour. And a bond that last­ed more than 40 years, until that day in April 2024 when Paul died of lung can­cer diag­nosed six­teen months ear­li­er. So, in the wake of this cat­a­stro­phe, turn­ing to words became a neces­si­ty for the woman left alone, bereft of her soul­mate. Siri Husvedt, who has long writ­ten not only nov­els but also essays on the social sci­ences, draws here on every reg­is­ter at her dis­pos­al to recount the unspeak­able: the ill­ness and the strug­gle they waged togeth­er, the pain and loss in all their stark real­i­ty, but also the pres­ence of the oth­er despite their absence. There is no chrono­log­i­cal nar­ra­tive; the writer alter­nates between a diary of strug­gle and mourn­ing, med­ical reports, a list of med­ica­tions, and emails sent to loved ones from what she calls ‘Can­cer­land’, along­side let­ters writ­ten by Paul Auster to his grand­son Miles, who was just a few months old and whom he would not have time to see grow up. Siri Hustvedt admits to striv­ing for the utmost hon­esty, reveal­ing her inner­most thoughts whilst keep­ing them in check, and mak­ing no secret of the tragedy that struck the fam­i­ly in 2022 — the death of Paul’s eldest son. But through­out these 400 intense­ly mov­ing pages, it is love that pre­vails – the love that binds gen­er­a­tions as much as it does their imme­di­ate cir­cle, and, of course, the close, inter­wo­ven bond between the two writ­ers, that ‘organ­ic’ love: like a tree, capa­ble of weath­er­ing storms and sprout­ing new branch­es. A love that nev­er grew stale, she says, in which lit­er­ary kin­ship also played an essen­tial role. Their rela­tion­ship itself was a joint endeav­our, inter­twined with their sep­a­rate bod­ies of work. And its sto­ry lives on in the lit­er­ary lega­cy of Siri Hustvedt, whom we have the great plea­sure of hon­our­ing in Deauville.”

Marie Chaudey

Siri Hustvedt is an Amer­i­can writer and essay­ist born in 1955. Inter­na­tion­al­ly renowned, her work explores the links between iden­ti­ty, mem­o­ry, art, psy­cho­analy­sis and neu­ro­science. The author of major nov­els such as “Every­thing I Loved” (Actes Sud, 2010) and “A Blaz­ing World” (win­ner of the 2014 Prix Transfuge for best Amer­i­can nov­el), she is also a com­mit­ted intellectual.

With “Ghost Sto­ries”, trans­lat­ed into more than thir­ty lan­guages, Siri Hustvedt makes her debut in the Gal­li­mard catalogue.

A conversation with Siri Hustvedt:

A dis­cus­sion (in Eng­lish) trans­lat­ed by Tiffany Gas­souk (Gal­li­mard) and mod­er­at­ed by Bruno Corty (lit­er­ary jour­nal­ist & edi­tor-in-chief of *Le Figaro*)

Wednes­day 9 Sep­tem­ber at 4.00 pm

Fol­lowed by a book signing

At Fran­cis­caines 

145b Avenue de la République

14800 Deauville

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