Once Upon a Time (in) America

250 years in 15 films

“All great Amer­i­can films talk about Amer­i­ca,” Jean-Luc Godard used to say.

What bet­ter set­ting than cin­e­ma to tell the sto­ry of a coun­try’s 250 years, its great myths and the major chap­ters of a his­to­ry inti­mate­ly linked to that of France since the ear­ly days of its revolution?

The Deauville Fes­ti­val could not over­look this found­ing date to tell the sto­ry of Amer­i­ca and the Amer­i­can dream, the Amer­i­ca of con­quest and the defense of free­doms, civ­il rights, and great wide spaces; the Amer­i­ca of opti­mism, youth, and free­dom, with­out obscur­ing the dark sides of a young nation that Alex­is de Toc­queville, the most sub­tle and vision­ary ana­lyst of democ­ra­cy in Amer­i­ca, had detect­ed so early.

The West­ern, a found­ing genre of Amer­i­can cin­e­ma, is in itself a mov­ing nar­ra­tive of Amer­i­can leg­end and myths: the Gold Rush, the con­quest of the West, the Civ­il War, the exter­mi­na­tion of indige­nous peo­ples, the build­ing of the rule of law, the rela­tion­ship with nature, law and violence…

This pro­gram does not aim for exhaus­tive­ness. It sim­ply wish­es to recall the past, illu­mi­nate the present and ques­tion the hopes of an Amer­i­ca that con­tin­ues to bring its share of light and hope to the world.

“They’ve all come to look for Amer­i­ca,” sang Simon & Gar­funkel. Today’s inde­pen­dent cin­e­ma seems to con­tin­ue this tra­di­tion of Amer­i­can folk songs by telling sto­ries of injus­tices, strug­gles and the ordi­nary lives of all the John Does of an Amer­i­ca that aspires to be a melt­ing pot of diver­si­ty and a land of wel­come for gen­er­a­tions to come.

Beyond this ret­ro­spec­tive, the films of this 2026 edi­tion will con­firm that the Amer­i­ca of free­dom has not said its last word and con­tin­ue to echo the poem by Emma Lazarus, engraved at the foot of the Stat­ue of Lib­er­ty: “Give me your tired, your poor, Your hud­dled mass­es yearn­ing to breathe free, The wretched refuse of your teem­ing shore. Send these, the home­less, tem­pest-tost to me, I lift my lamp beside the gold­en door!”

Aude Hes­bert

Visual movie Once upon a time in America

Still from Once Upon a Time in Amer­i­ca by Ser­gio Leone (1984)

1925 THE GOLD RUSH(LA RUÉE VERS L’OR) Char­lie Chaplin

1939 MR SMITH GOES TO WASHINGTON (MR. SMITH AU SÉNAT) Frank Capra

1947 THE GRAPES OF WRATH (LES RAISINS DE LA COLÈRE) John Ford

1964 DR. STRANGELOVE OR: HOW I LEARNED TO STOP WORRYING AND LOVE THE BOMB(DOCTEUR FOLAMOUR) Stan­ley Kubrick

1980 HEAVEN’S GATE(LA PORTE DU PARADIS) Michael Cimino

1984 ONCE UPON A TIME IN AMERICA(IL ÉTAIT UNE FOIS EN AMÉRIQUE) Ser­gio Leone

1987 FULL METAL JACKETStan­ley Kubrick

2009 MILK(HARVEY MILK) Gus Van Sant

2012 ZERO DARK THIRTYKathryn Bigelow

2013 DJANGO UNCHAINEDQuentin Tarantino

2014 SELMAAva DuVernay

2015 THE BIG SHORT(THE BIG SHORT : LE CASSE DU SIÈCLE) Adam McKay

2022 SHE SAIDMaria Schrader

2023 KILLERS OF THE FLOWER MOONMar­tin Scorsese

2024 HERE(HERE — LES PLUS BELLES ANNÉES DE NOTRE VIE) Robert Zemeckis

These films will be notably pre­sent­ed by:

Pete Doher­ty (singer, com­pos­er), Manuel Alduy (head of cin­e­ma at France 2), Olivi­er Père (Arte France), Damien Bon­nard (actor), Ava Cahen (direc­tor of Crit­ics’ Week), Vin­cent Pérez (actor), Anne Berest (writer, screen­writer), Thier­ry Kli­fa (direc­tor), Lou Lam­pros (actress), Julien Colon­na (direc­tor), Mar­tin Bour­boulon (direc­tor)…

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